A script reader reads scripts for the purpose of providing what is known as “coverage,” a brief critique of the script which is reviewed by producers and other members of a production company. If the script reader's review is favorable, members of the production staff may explore the possibility of developing the script into a film or television show. If it is not, the script may move no further along the production process.
Scripts pour into production offices at a steady stream every week. Of these, only a fraction will be picked up for production. Producers do not have the time or the inclination to read through every script which reaches the office, so they farm this work out to assistants and script readers. Script readers are usually third parties who work on a contract basis, and they may cover scripts for several production companies as needed.
The script reader reads through the script, sometimes several times, making notes along the way. She or he identifies strong and weak points in the script, and considers whether or not it is a developable project. Script readers need to be knowledgeable about the development process so that they can cover scripts effectively, but they are still very much at the bottom of the production food chain.
After reading the script, script readers summarize the story for their coverage. They also make recommendations about the script on the basis of marketability, budget, and casting concerns. In addition, recommendations for changes may be made. For example, a script reader might think that a story could be marketable if it was altered in some way, or that if steps were taken to reduce the budget, a film could potentially be profitable.
Reading screenplays can be hard work. A script reader is usually expected to read more than a script a day, and fast turnaround may be required from the production company. Script readers need to be able to work quickly but effectively, as no one wants to be the script reader who recommended taking a pass on the next blockbuster. The hours can be variable, with script readers usually setting their own schedules.
Some technical schools and colleges offer training in production which includes script reading, and some script readers move into the industry this way. Others may start as assistants and work their way up the ranks. Before someone can be hired, she or he generally needs to have work samples which demonstrate a capacity for writing accurate, clear, and useful coverage of scripts.